This red scarf has truly been blowing through since the soundtrack premiered.

And LataвЂ™s soft and sweeten vocals only drove the song to perfection further. The dholak was a compliment to the song rather than the definition. This вЂnewвЂ™ style of music as it was back then was different in that its focus changed from doldrums and backdrop to the orchestrated pieces which placed the song together. As many вЂњ DupattaвЂќ sings that hit the marquee year after year one wonders if any composer could actually make this one as it is, a romantic solo which is soft, breezy and eloquent. The best and the most memorable (and probably most abused by remix artists today) is вЂњ Hawa Mein Udata JayeвЂќ.

Setting a standard for Hindi musicals, the commanding soundtrack features ten tunes of which nine are sung by Lata, seven of which she is singing by herself! Furthermore they were able to utilize a young vocalist that would grow to heights beyond imagination. In doing so they were able to solidify themselves for years to come as truly excellent musicians in just their first effort. Shankar Jaikishen in their maiden venture composed truly classical tunes but most of all solos for lead singer, Lata Mangeshkar. In the years where three or four Barsaat titled films followed, the one and only original has not only excellent and superlative tunes, but tunes that can honestly suffice to say that it is probably the only Barsaat (film wise and music wise) anyone would truly remember. Singers: Lata Mangeshkar, Mukesh, Mohammad RafiД¬hances are if you ever picked up a remix album recently or even listened to a retro soundtrack youвЂ™ve heard a song from Raj KapoorвЂ™s вЂњ BaarsaatвЂќ.

Barsaat songs